literature |
Aftersleep Books
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InkheartThe following report compares books using the SERCount Rating (base on the result count from the search engine). |
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Aftersleep Books - 2005-06-20 07:00:00 | © Copyright 2004 - www.aftersleep.com () | sitemap | top |
what if whatever was called up from the book didn't simply appear but has to replace someone else in your world so that your best friend or father or mother got sent into the book world?
All of this is great fodder for a novel, opening up literally limitless characters. Unfortunately, Inkheart falls short in the execution. The story's main plot involves the struggle between the 12 year old main character (Meggie) and her father (Mo) and an evil villain (Capricorn) and his henchmen whom Mo accidentally "read" into being years ago, losing Meggie's mother into the book in turn. The villain is bent on turning Mo's talent to evil intent and will stop at nothing to get Mo in his power.
Or at least, so we're told, though to be honest, for all the many sentences about how evil Capricorn is, how sadistic his chief henchman is, by the middle of the book, their actions come across as less "evil" than bullying. Sure there are a lot of threats and abductions and hurling of people into "the crypt", but when nothing more untoward happens and when this sort of thing gets repeated several times, the villains tend to lose their bite. Perhaps this is due to the young age the book might be aimed at, though in that case the earlier descriptions of Capricorn's potential for horror should probably be downplayed as well.
The story begins when Mo learns from Dustfinger (another character from Capricorn's world accidentally brought into ours) that Capricorn has learned of his hiding place and is seeking both Mo and supposedly the only surviving copy of Capricorn's book. Mo, Meggie, and Dustfinger flee to Meggie's Aunt's house, filled with thousands of books. Without giving away too much, there is a betrayal, Mo is abducted as is Meggie eventually. Then there are escapes and then more abductions. The plot seems to circle around the same setting and even the same actions, never spiraling far from repetition, and because the villains are not particularly convincing as villains, the victories and defeats don't create much tension.
Along the way there are a few nice plot turns, such as when the author of Capricorn's book makes an appearance, but predictability returns shortly. The characterization is relatively weak. As mentioned, the villains are not all that believable as villains, and Meggie and Mo, while sympathetic, are a bit two-dimensional. They gain our sympathies more through tried and true plot (the missing mother, the abducted daughter)than through depth of feeling or character. Funke is at her strongest in the creation of her middling characters--Dustfinger, Meggie's aunt, and a young boy pulled from yet another novel in a "test run" for what is to be Mo's big work for Capricorn. These characters, neither wholly good or wholly evil, are more complex and thus add a level of complexity and unpredictability, bringing a refreshing air here and there into the story. They are not enough, however, and in plot, character and final resolution, Inkheart remains mostly predictable and static, lacking the richness of character, story, and description found in Funke's previous effort, The Thief Lord.