performing arts |
Aftersleep Books
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JournalsThe following report compares books using the SERCount Rating (base on the result count from the search engine). |
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Aftersleep Books - 2005-06-20 07:00:00 | © Copyright 2004 - www.aftersleep.com () | sitemap | top |
Within the book, Kurt depicts himself as he was: a sensitive, artistic punk rocker. You read many letters to people such as Dale Crover from "The Melvins" and Mark Lannegan from "Screaming Trees". In a letter to Lannegan, he shamefully admits to copying their album onto a cassette tape. This only enforces the punk rock ethic that Kurt held for most of his life.
The term "punk" for Kurt Cobain didn't necessarily mean pierced nostrils or multi-colored hair. Punk rock meant "freedom". It was back to the roots of musical expression: syphoning yourself through an instrument. It wasn't an image, and it wasn't a trend. There were no blinders towards the audience. It was be-yourself-do-it-yourself. It spoke to many people in an inaudible, enticing scream, and it definitely spoke to Kurt Cobain. It basically offered Kurt his way out from the blantant faccade of machismo and the ignorance of homophobia and sexism that he witnessed constantly. It sparked a flow of creative abandon and artistic defiance in Kurt. That raw, unbridled human emotion is very poignant and refreshing even ten years after his death. And the fact that real emotion is so void in music today, only lures people in to experience it for themselves.
It's impossible to read this book and not get somewhat melancholy over what a sensitive, outspoken, brilliant artist we lost in Kurt Cobain. We have the music, we now have his journals, and we have the memories.