drama

Particularly useful are the summarizations and categorical exercises at the end of each chapter, helping you immediately implement the lesson into your writing. There are also frequent exercises throughout the book to help jog your mind in relation to your characters.

Seger gives special attention to minor, supporting and nonrealistic characters which populate every script, but are often neglected. Seger's not asking for every character to be the central figure of your narrative... but they better be the central figure of their own story in some way. The book helps in creating characters, small and large, that have a reason for being. It's easy to neglect lesser characters, when they should be poignant and relevant.

Thankfully, Seger has the 'How' mentality that is missing from so many other books on writing. If you are new to writing, this is an excellent resource for illuminating all the elements that go into making a fully fleshed out character. If you're an experienced writer and are looking for a way to make your characters 'pop' off the page a bit more, "Creating Unforgettable Characters" could help you find that edge.

I keep returning to this book repeatedly, trying to find an idea, a thought, a quality to give my characters. And it always works.

Linda Seger provides a wonderful gift to aspiring writers in her book CREATING UNFORGETTABLE CHARACTERS. The book is a hodge-podge of Linda's own observations--plus, it is interlaced with interviews with world-class writers. Linda also throws in examples of characters and dialogue from movies, books, TV and stage that we've all heard of (Rain Man, Moonlighting--TV, Broadcast News, Casablanca, Ordinary People, Cheers, etc.). The book is a quick read--I read one chapter a day for a week and a half, but it is chock full of tidbits and insights that make it invaluable.

Dr. Seger encourages the aspiring writer to 'research, research, research' that character (Chapter 1). She then encourages us to consider the dimensionality of a character by introducing motivations 'and' paradoxes (Chapter 2). She explores creating a backstory, a pre-history to a character, and how this can open the writer up to new insights and plot exploration (Chapter 3). The chapter on psychological types (Chapter 4) was helpful in exploring human psychology and abnormal behaviors. Ron Bass's comments on how RAIN MAN's characters (Tom Cruise, Dustin Hoffman) evolved in the writing phase are terrific. Chapter 5 explores creating character relationships, which includes a section on 'the triangle' and the section on replacing characters in the TV sitcom 'Cheers' was a fun read.

Other chapters follow (Supporting Characters, Writing Dialogue, Beyond Stereotyping, and Character Problems), but my favorite section was the one on Creating Nonrealistic Characters. This chapter on fictional, 'unreal' characters, with Linda Seger's contrast between the symbolic (for example, The Joker=evil), nonhuman (Lassie/animal...), fantasy (Vincent in the TV series Beauty and the Beast, Jolly Green Giant--advertisement), mythic (Batman), was worth a full-day seminar of screenwriting.

The book also shares from Linda's interviews with other writers some of the frustrations that they have had in writing. It was nice to read how other writers, proven and successful, struggled to improve their craft.

A quick read, insightful, and full of great stories.