romantic suspense

Heather Graham is one of my favorite authors. I read a great deal and some authors I buy because of their name.

Dead on the Dance Floor, is a good book. If you like the world of dance you will probably like it. It has alot about dances and dancers.

While I find it hard to tell a tango from a cha-cha, The murder mystery was well written. I liked the main characters but somehow there was little doubt who the murderer was. I figured out who, early. It was only near the end I figured out why and how. When the author gave us alittle more information.

As far as the secondary characters, I found it hard to care about people who had nothing better to do than spend a great deal of time and money on dancing contests, bars, and flashy costumes.

These were some of the most unlikeable characters I've ever read about. Somehow the Dr. and his wife were the worst.

Frankly, by the end I didn't care who killed her.

For the best read by Heather Graham, I recommend DOWN IN NEW ORLEANS or PICTURE ME DEAD.

When beautiful dancer Lara Trudeau dies while dancing of a drug overdose, the police are quick to write it off as another tragic accident of perscription drug abuse. But one cop isn't so sure--and he gets his brother, ex-FBI profiler and private investigator Quinn O'Casey to look into the case. The obvious suspect is another dancer, Shannon Mackay. Shannon has lost her partner and her lover to Lara several years earlier and an 'accident' on the dance floor had cost her her competitive career. But Quinn likes Shannon--likes her a lot. Of course, there's really only one thing he's sure of--his own judgment is fatally flawed.

Quinn puts Lara's case together with several other drug-related deaths that seem connected to the dance studio where Lara and Shannon worked. It could be coincidence, but Quinn doesn't believe in coincidence. He signs up for dance lessons, starts to fall for Shannon, and learns that she is chased by her own demons--or maybe by something far more real than mythical demons. It's tough enough solving a case, but both Shannon and Quinn have major issues they need to work for before they can deal with the attraction that flows between them like, well, like a dance.

Author Heather Graham writes convincingly of the world of ballroom dance and of sultry southern Florida. Damaged but hunky Quinn makes a great foil for frightened but spunky Shannon. Their issues parallel and they find that working through together gives each of them strength to admit their true goals. Of course, before any kind of long-term romance can develop, they'll have to stay alive. And someone seems intent on making sure that doesn't happen.

DEAD ON THE DANCE FLOOR is an enjoyable romance.

Having attained first prize in every ballroom competition that she competed in, everyone agrees that Lara Trudeau is the dancing queen though all agree that the Prima Donna is a detestable nasty egomaniac. Currently, she is expected to triumph again as she vies for the trophy of the Universe of Champions event. However, this time during one of her classy moves Lara abruptly dies fittingly on the floor where she reigned as the monarch of dance.

Quinn O'Casey heads the investigation into the ballroom dance queen death that seems so suspicious. However, he goes undercover to learn what he can about the regulars, employees and owner of the Moonlight Sonata Dance Studio. His deepest interest is in the owner Shannon MacKay, but he is not sure if he wants to handcuff her as a criminal or as the woman he is falling in love with.

Police procedural romance readers will take great delight with the terrific DEAD ON THE DANCE FLOOR. The story line hooks the audience from the first step until the final pirouette. Because Lara is universally loathed, Quinn has too many suspects to contend with, but Shannon is the most obvious of all. Adding to his tension is he wants to not only believe in her innocence he wants to dance with her preferably in the bedroom not the ballroom. Shannon is his ideal partner so that the audience obtains a fine story that in many ways feels like a modernization of the classic film Laura.

Harriet Klausner